frame, Re-new, RE-VIT-A-LIZE

Each framing project goes through a process of evaluation. From the color to mounting techniques and backing materials, to location in direct and indirect light.

The use of conservation and archival framing materials, whether we are framing a new piece of art or reframing an existing piece, is our standard. It is critical to design a framing package that will remove and replace older materials, and choose the best conservation materials for your new art.

If glass is required for a framing project we will always recommend using a glass that will prevent damage and fading from bright and direct light, especially for works on paper or textile art. The best practices call for glass that will block 99% of damaging UV light, provides reduce glare, and allows the best clarity.

Whatever you wish to frame Finn Hollow Arts will work with you to evaluate the best options for all of your framing needs.

do you have a valuable piece of art or a piece of art you value that needs re-framing or framing?

here is what you should know about outdated framing materials....

At Finn Hollow we can replace that outdated frame, along with the old framing materials.

Older materials can damage artwork on paper because they are not acid-free. Yellow or brown discoloration on the mat bevel is an indication that this has occurred.

The first step is to remove the art from its damaging environment.

It can be challenging to remove a work from dated framing. Often adhesives and tape are obstacles. In this case, cardboard, one of the most damaging framing materials, was used for backing.

Common masking tape adds to an already toxic framing environment.

We were fortunate to discover, through careful steps, that this original watercolor was not attached directly with adhesives, which made it a worthy candidate for re-framing.

There was some damage around the edge of the watercolor caused by the old mat, the new mat will cover this area and further damage will be prevented with the use of acid-free conservation materials.

Some discoloration and damage can be removed or reduced by a professional restoration service. We are happy to recommend someone.

When reframing any work on paper, it is important to use UV protective glass to prevent future fading.

You can see that, although there is some discoloration on the watercolor from the old mat, there was almost no change to the vibrancy of the artwork.

We are now ready to give this watercolor an updated look with a contemporary framing design, and extend its life by using acid-free conservation materials.